Recording artist and mixing engineer Gexume traces his path from phone-recorded songs and DIY studios to recurring collaborators, Tutable Records, and a creative identity built through patience, openness, and practice.
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Episode 47: Gexume Finds His Own Sound On Good To Live Podcast
with Gexume
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Gexume joins Kinske to trace a music journey that began with rap influences, childhood friend Trini, phone recordings, and a willingness to learn by making song after song. He explains how experimenting with different styles, teaching himself recording and mixing, and accepting honest feedback gradually helped him hear the sound and stories he wanted to create.
The conversation follows the people and places that gave the work structure: 21st Street, a DIY home setup, the remembered trap house, recurring collaborators, and the circle that formed Tutable Records. Gexume also reflects on leaving school, family uncertainty, work, creative setbacks, faith, emotional privacy, and why he wants growth to preserve the playful personality and original purpose behind the name.
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About the Guest
Gexume
Gexume is a Filipino recording artist and mixing engineer whose work moves between Tagalog and English, emotionally direct songwriting, playful confidence, and collaborative hip-hop. His public catalog includes solo releases and recurring work with artists such as Trini, Blank, Lawskie, and Anthony.R.
He began experimenting with rap while still in school, first recording with childhood friend Trini and learning BandLab on a phone. Without a formal studio or a clear technical roadmap, he made songs repeatedly, built a makeshift recording space from available materials, and gradually moved from simple phone recordings to desktop audio tools. That process taught him to write more complete stories, train his ear, and treat every unfamiliar voice as a new mixing problem.
Friends and shared spaces are central to Gexume's development. His early group 21st Street, the remembered trap-house period, and the wider circle that formed Tutable Records gave the music a structure beyond solo practice. When family housing became uncertain and his own momentum slowed, people in that circle offered practical support and a place to keep working. Recording and mixing for other artists later became both a source of income and a way for his name to travel through word of mouth.
On Good To Live Podcast, Gexume describes patience, openness, faith, and feedback as parts of the same creative discipline. He wants listeners to understand the story inside a song, but he also uses music to hold feelings he finds difficult to explain directly. As his sound and collaborations continue to change, he hopes to keep the playful personality, approachability, and sense of purpose that made him begin.
Gexume joins Kinske to trace a music journey that began with rap influences, childhood friend Trini, phone recordings, and a willingness to learn by making song after song. He explains how experimenting with different styles, teaching himself recording and mixing, and accepting honest feedback gradually helped him hear the sound and stories he wanted to create.
The conversation follows the people and places that gave the work structure: 21st Street, a DIY home setup, the remembered trap house, recurring collaborators, and the circle that formed Tutable Records. Gexume also reflects on leaving school, family uncertainty, work, creative setbacks, faith, emotional privacy, and why he wants growth to preserve the playful personality and original purpose behind the name.
Key Takeaways
•Gexume found his direction by making many songs, testing different styles, and listening for what felt honest instead of expecting a finished identity at the beginning.
•Childhood friend Trini became part of the journey from the earliest recordings, showing how recurring creative relationships can grow alongside the artist.
•Learning recording and mixing without shortcuts trained Gexume to be patient, solve problems independently, and remain open to feedback from the people whose voices he handles.
•The move from phone recordings to a DIY studio and then a shared creative environment gave his work more structure without removing the experimental spirit that started it.
•Gexume treats mixing as service: the result must work for the artist or client, not only reflect the engineer's personal preference.
•Tutable Records grew from friendship, humor, shared sessions, and a desire to create a place where the group could record and release music together.
•Periods of leaving school, housing instability, stalled music, and regular employment changed the pace of the journey but did not remove its purpose.
•For Gexume, songs can hold feelings that are difficult to explain directly, allowing personal experience to enter the work without requiring every detail to be spoken aloud.
•He believes progress requires both manifestation and visible effort: timing matters, but an artist still has to develop the skill, discipline, and presentation that invite people in.
•Even if the music grows, Gexume wants to retain his playful way of connecting with people and remember why he began creating in the first place.
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